The 2021/2022 season of the Théâtre du Rond-Point

That's it, it is day! A series of events in partnership with MGENERTOUR in life and in light: the Rond-Point theater reopens and opens up to all audiences.A major player in the health and foresight sector, dedicated to the world of education and culture, the MGEN, a roundabout partner, supports the start of the school year: "That's it, it is day!To celebrate the Renaissance to artistic and cultural life, essential to psychic and social balances, to our lives.The roundabout offers a second edition at its festival in the gardens.The party continues by I live here, new creation by Jean-Michel Ribes, and an exceptional evening, in all the corners of the theater, with an exploded, acrobatic and musical programming, surprises and promises of enchantments.September 3 - October 17

I live here in twelve apartments, a concierge on the stairs and a street in front oftext and staged Jean-Michel Ribes avec Olivier Broche, Manon Chorden, Romain Cottard, Charly Fournier Annie Grégorio, Jean Joudé, Alice de Lencquesaing, Philippe Magnan Marie-Christine Orry, Stéphane SOO Mongoamoureux with mobylette, very bourgeois bourgeois, private officials, disillusioned Proustians, joyful homeless, vegans and poet police swirl in a building that re -enchants the concierge, guardian angel of all these demons.Author, director, director and director of the roundabout since 2002, Jean-Michel Ribes eroticizes the whole of a ministry, reinvents with tenderness this district, this country or this world that we all live in, without sparing "thefrightening bullshit of fascism ».By his monster theater, he builds a whimsical fresco with exploded humanities.He is looking for "fresh air through the bushy of certainties and the brothel of ideas" and composes an urban symphony, a mosaic of the time whose humor, he says, "remains the only way out".September 3 - October 17, 21HDIMANCHE, 15H – RELÂCHE LES LUNDIS ET LE 16 SEPTEMBRESALLE RENAUD-BARRAULT

The roundabout in the free garden, a happy outletprogramming to come "Everyone outside!"»Run in the garden, behind the roundabout.There, chairs and trestles, for several outdoor theater evenings, in the open air, fresh from the end of summer, for passers -by, the faithful and the curious.After the immense success of a first edition last year, the roundabout once again offers a broken program for several days, with magicians and musicians, performers and stand-ups, improvisations or speaking.Free entry, happy exit.Pieces, numbers, recitals, readings or furtive follies ... The actors and the authors renew among the trees with the essence of the performing arts: voices, works and freedom.We plant the bad seeds of culture in the back of the theater so that the crazy herbs of the party repel, of a laugh that resists viruses as well as to the confined ideas.7 - September 19, 6:30 p.m. The 4, 5, 11, 11, 18 and 19 September, 4 p.m. and 6.30 p.m. - Sunday September 12, 16hrel on September 13 and 14

The normal Heartune Piece by Larry Kramera Adaptation and staging Virginie by Clausadewuvec Michaël Abiteboul, Joss Berlioux, Andy Gillet, Déborah Grallbrice Michelini, Jules Pelissier, Dimitri Storoge "So, we are all disgusted grenades.»New York, 1981, an unnamed epidemic decimates the homosexual community.Faced with denial and indifference, Ned Weeks is indignant, puts his anger and bad character at the service of uncompromising activism, denounces inaction, provokes media scandals.The writer Larry Kramer writes the normal Heart, an autobiographical militant act, world success, two years before founding Act Up in 1987.He died in 2020.Thirty-six years after its first representation, the play is created in France when the Pandemic of COVID-19 calls into question the individual freedoms and the responsibility of the rulers in the face of the crisis in the crisis in the face of the crisis.Actress, author, Virginie de Clausade adapts this romanticized manifesto, portrait of a fiery and unprecedented struggle.There is talk of desire and sex, combat and commitment, fear and injustice, and above all, everywhere, of love.September 8 - October 3, 9 p.m. Dimanche, 3.30 p.m. - releases Mondays and September 21 Jean Tardieu

Madame Fraizemis on stage Papyinterpretation Marc Fraize "She likes to make herself useful to others.SHE IS GENEROUS.»Long pink gloves, Mr. Fraize appears in a green and split dress.Madame Fraize shines.She sings love.Its wicks are rebuilt, retro hairstyle.She evokes the little things of life for two, this struggle to be in a relationship, the happiness too.Happiness, especially.She enchants, smiling in her hypnotic, sensual, ambiguous gestures always.Some piano notes and tears, a Spanish song.Madame Fraize creates a poetic bubble, parenthesis of sweetness and joy in a tired world.New talent humor of the SACD, Mr. Fraize, lunar clown against the current laws of humor and diktats of efficiency, provokes hilarity by the expression of his astounding in front of the world, cruel, of which he does notUnderstand nothing.He metamorphoses and celebrates with this new show, Madame Fraize, her twenty years of stage.September 16-October 17, 6.30 p.m. Sterely Monday, Tuesday and Wednesday Renaud-Barrault

The most precious goods of Jean-Claude Grumberga Adaptation and staging Charles Tordjman with Eugenie Anselin, Philippe Fretun and the participation of Julie Pilod "while acting humanity.»Winter 1942, a train passes… We swing from the wagon a small package wrapped in a rare silk shaw.She is a little girl from the tribe of "Coorless", those who "travel gratos in special convoys".Poor lumberjack and poor lumberjack pick up the package in the snow, they tame the kid.She will become for them "the most precious goods".Grand Prix of the French Academy and SACD, Moliérized, Cesarized, author of the workshop, Jean-Claude Grumberg composes a magical tale that contains his whole work.By the poem, to say again and understand human barbarism, with humor and distance, hoping to see a little more clear in atrocity.Irony as well as poetry puts in notice to think, and may save grief.September 22 - October 5, 6.30 p.m. DOWNCH FORGE 17, 3.30 p.m. - releases on Mondays and September 26 and Octubresalle Jean Tardieu

The assignmenttext Tania de MontaigneAd adaptation Tania de Montaigne and Stéphane Foenkinosmise on stage Stéphane Foenkinos with Tania de Montaigne, Florence Maury (distribution in progress) she goes there, head on, attacks the word race, to the assignments that follow.She has a Russian first name, wears a particle and the name of the largest French moralist.But Tania de Montaigne is black, without capital letters.It faces the grinking automatisms of racist prejudices.Jew, Muslim, white, black ... For each color, each religion, there would be a mechanism and slew of archetypes, caricatures, condescendances of good tone, or xenophobic hints.Tania de Montaigne makes a party and a show.She embarks on a conference tinged with a cruel humor, orchestrated by Stéphane Foenkinos, director of the black show.With the summons, it comes out of their gray and comfort zones hypocrisies as the best shared reflexes, to finally look at the word race opposite.And to laugh, too.5 - October 16, 21hrel on October 10 and 11 - Salle Jean Tardieu

Noiring after Black - La Vie Unknown by Claudette Colvinde Tania de Montaigneait and staging Stéphane Foenkinos with Tania de Montaigne19 - October 23, 20:30 SSAMEDI 23 October, 2:30 p.m. - Salle Jean Tardieu

Djénanesur An idea of Bébel the magicémentation magic and interpretation Bébel the magician Anne Artigau and Belkheïr djenanemise anne artigauvoix Élise Caron "One day the maps and the men made the same dream."Belkheïr Djenane, alias Bébel, magnifies the art of magic, ancestral craftsmanship hoisted to the rank of great art.Winner of the gold dove, the first prize in cartomagic, he leads the spectator in improbables of improbabilities, cards miracles that cross mirrors.As a teenager in 1982, he was exercised outside, districts of the Halles or Saint-Germain: his prodigy dexterity dazzles passers-by, his close-up numbers enter the history of magic.Since her meeting in 2012 with the director Anne Artigau, they have invented a new approach to her art together.Now the cards lead dance, take control of his hands, reveal the mysterious reasons for their existence, in a unique, frightening and unpredictable journey.September 24 - October 4, 8:30 p.m. Dimanche, 3.30 p.m. - releases Lundissalle Roland Topor

What happiness (with your sensors) Design and interpretation Thierry Colletmise on stage Cédric Orainassistanat in creation and interpretation Marc Rigaud "The machines are stronger.Do I resist?Or do I go?"Wizard, bewitching scientist, Thierry Collet transforms the scene into a laboratory of prodigious experiences.On his speaker table, a card game, a bottle of beer, portfolios borrowed from spectators ... He involves connected sensors in his towers, smartphone applications.It requests or invents new technologies to create digital doubles of objects or individuals.Impossible to distinguish the true from the false.In this twelfth hallucinatory creation, the researcher hybridizes, juggles with science and belief, divinatory art or bright voodoo.Mentalist, he manipulates real as thought, hackers in real time the data and the imagination of the public fascinated by his numbers of a more than contemporary, anticipators magic.Inventor dedispositive to create mystery, he makes incredible.19 - October 23, 8:30 p.m. / October 26 - November 6, 19 hours on Sundays and Mondays - Roland Topor room

The noise of the wolf and interpretation Etienne Saglioet with Bastien Lambert and Guillaume Delaunay "When everything is impossible, the work of the magician begins."Juggler and magician, Étienne Saglio returns to celebrate the incredible with new unreal creatures.The amazing artist, associated with the roundabout, offers an excursion in a crazy reverie, between moonlight and sunrise on an unknown world.He invites an incredible trip, a walk in a beroved, bewitching forest.A rat is messenger, plants rebel, a funny fox plays the narrator of the tale ... A gigantic checkerboard turns into a forest, populated by wolves and giants.It’s a whole universe that rises, is revealed around a kid in Wonderland.Nature is acting, tender or cruel, brings him back his childhood and his fears buried under the dead leaves, however moving.Virtuoso creation of a tangible utopia: we see the oldest childhood dreams come to life.November 3-20, 8:30 p.m., 3 p.m.-releases Mondays and November 11, Renaud-Barrault

Thomas plays his wigs Thomas Poitevin, Hélène François, Stéphane Foenkinosmise on stage Hélène François with Thomas Poitevin "The desperate do not lack panache!"»Author and brilliant explorer of the human comedy, Thomas Poitevin deploys a gallery of tragic and tender portraits, men and women under wigs, prey to the ordinary catastrophe to exist.Defeat in a micro-fiction anthology: a drift Germanopratin real estate agent, a young schizophrenic amateur squirrels, a technician of hyperactive culture ... The actor brings out a ball of magnificent failures, anti-heroes and other creaturesin their panic to be in the world.Propelled via Instagram to the stars firmament during confinement, Thomas Poitevin posted vignettes every day, three -minute pastilles max, under different wigs.Alone on stage, with the director Hélène François and the complicity of Stéphane Foenkinos, an irresistible humanist epic, a sort of explosive autobiography of everyone.5 - November 23, 8:30 p.m. / 24 - November 28, 6.30 p.m. Dimanches 7, 14 and 21, 3.30 p.m. - releases Mondays and November 11 - Salle Jean Tardieu

A Bright Room Called Daytexte Tony Kushnermis on stage Catherine Marnaswavec Simon Delgrange, Annabelle Garcia, Tonin Palazzottojulie Papin, Agnès Pontier, Sophie Richelieu, Gurshad Shahemanen Alternation with Vincent Disse, Yacine Sif El Islam, Bénédicte Simon "We have summoned the devil here forSubtract it from the outside world?"Berlin, the thirties, we drink, we mock Adolf Hitler, despot in power that will never arrive in power.They are young.No one conceives, in this environment of enlightened intellectuals, the advent of fascism.But the disaster happens, the group explodes, and the play too.The characters propelled in 2021 summon Trump, Biden and the small European dictators.Catherine Marnas observes with a nasty humor the progressive shifts of fragile democracies to totalitarian systems.Tony Kushner, Pulitzer Prize for Angels in America, paints the state of the world in a festive nightmare, time travel and cabaret of disillusions.He puts in notice to think and react to the slow extremist transfers.November 23-December 5, 8:30 p.m. Decor December 5, 3 p.m.-release on November 28 and 29-Renaud-Barrault room

The field of possible writing, interpretation and staging Élise Noiraud "Cutting her life day by day!"At nineteen, with a tank in his pocket and the desire to trace her way, Élise leaves her native Poitou to reach the capital.Her meetings give rise to a earthy gallery of characters crossed at La Sorbonne, in theater lessons or with the mother of a little Agamemnon of which she becomes the baby-sitter.Élise Noiraud signs a human comedy that she assumes alone on stage, heartbreaking of humor and tenderness.She told her childhood and adolescence in American bananas then so that you still love me, played almost three hundred times.This third chapter loops the loop with adulthood and recounts his emancipation journey, strewn with hilarious disasters.November 23 - December 19, 8:30 pm Private on Sundays and Mondays - Roland Topor room

Everything is fine miss! Of Julien Cernobori and Hélène Ducharned’a after Superhero / Hélène, a podcast created by Julien Cernoboria Adaptation and staging Christophe Garcia and Marie Rémondvec Marie Rémond "Life Bah La Vie ... She takes over in fact.»At five, she got a staphylococcus.And all the wars of the body will declare themselves.But Hélène will fight, struggle.To hold, again, and continue.She will grow and face her own family story, undermined with secrets and lies.Hélène must rebuild everything and meet all the challenges imposed on her by her body.And she defeated, superhuman force, armed with her friendships and her willingness to live.Actress, theatrical revelation at the Molières 2015, Marie Rémond plays André at the roundabout according to the testimonies of Agassi.With her admiration for Hélène, for "her courage and her joie de vivre", Marie Rémond embodies the figure of a heroine struggling with intimate fights, in an irresistible lesson in humor and liveliness, unstoppable of hope andlife.November 24 - December 19, 9 p.m. Dimanche, 3.30 p.m. - releases Mondays and November 30 - Salle Jean Tardieu

Letters to Annecorrespondance of François Mitterrand to Anne Pingeota Adaptation Patrick Mille and Benjamin Guillardmise Benjamin Guillard with Patrick Mille "You help me to serve the idea that I have of the world and men.»François Mitterrand writes to Anne Pingeot between 1963 and 1995: thirty years and a thousand two hundred letters from a clandestine love.The former President of the Republic leaves the posture of the man of power to be poeting and passionate lover.Since this forbidden love, one of the greatest secrets of the fifth republic, Mitterrand composes a rare, burning work, which Anne Pingeot entrusted to Gallimard editions in 2016.Five years later, the director Benjamin Guillard and the actor Patrick Mille coil the adaptation of the letters.They draw together a sensitive parallel between a superior literature of feelings, epic poem of a crazy love, and three decades of a fantastic entry into the story of an exceptional man.1st - December 19, 6.30 p.m.21 - December 31, 8:30 p.m. Sun December 26, 3:30 p.m. - releases Mondays and the 25 Dépambélle Jean Tardieu

Patrick Timsitadieu… maybe.Thank you ... for sure.Text Jean-François Halin and Patrick Timsitmise Etienne de Balasy "10 good reasons to stop."2015, triumphs at the roundabout: Patrick Timsit does honor to" laughter of resistance "and does not back down in front of any burning of society-migrants, neonazis or disabled ... He returns with malice playing the" service idiots ".He makes people laugh with everything that hurts.He does not let go of his prey, always in appetite of what could disturb the most.Child of Algiers and a family of leather goods, real estate agent before knowing success with the crisis, an Indian in the city, sweet pedal, the cousin or stars 80, he writes, also realizes.Social look, sliced eye, he makes the troublemaker of a society stuck in a politically correct more viscous than ever, plunges into the swamps of well-thought, and that splashes, joyfully, with a vaccine laughter.Today, Patrick Timsit makes us his farewell.He is the only one to believe in it.7-December 31, 9 p.m. Dimanche, 3 p.m.-releases on Mondays and December 10 and 25-Renaud-Barrault room

Les Gros Patinent well, Cabaret de Cartonun spectacle of and with Olivier Martin-Salvanet Pierre Guillois “Once Upon a Time Strukt von Blocktenstik.He leaves the plains of the Far North, cursed by a mermaid fished by accident.He escapes in skates, with scooter, by cardboard plane.He discovers Scotland, leaves south to the back of the mule, murdered some bagpipers in passing, seeks love, always.But the actor in three -piece suit remains seated, it is the madness of the show.His acolyte in a swimsuit is agitated around him with hundreds of pieces of cardboard where the names of the countries, accessories or critters encountered are inscribed.Incredible adventures deployed by dint of tips and gags, it is an explosion of great and eccentric ideas.After Bigre, worldwide success, Pierre Guillois and Olivier Martin-Salvan, in a fireworks fireworks, invite an imaginary journey, fusion of the delusions of an "cartoons" cabaret and a Shakespearian epic.December 10-January 16, 6:30 p.m. Sterely on Mondays, December 25 and 26 and from Jan. 1 to 6 Jan.

The bird syndrome Pierre Tré-Hardymise on stage Sara Giraudeau and Renaud Meyera with Sara Giraudeau and Patrick d'Assumçaoaux with Denis Podalydès' voice "I know what is good for you, you know it.»Prix Raimu, Molière de la Revelation theatrique 2007, César for the best actress in a supporting role 2018 for Petit Paysan, flagship figure of the series The Bureau des Légendes, Sara Giraudeau becomes Eve.She takes care of the house, small dishes, linen, impeccable cleaning.She has always lived there.Walls, closed door, a mesh window.Franck retains it, Ève does not know any other benchmarks.His world and his life are closed to this space.Bird syndrome depicts this possible reality: having the other, confiscate it all horizon and all flights.The actress features with Renaud Meyer an imaginary closed door, both realistic and fantastic fable.Faced with Patrick d'Assumçao, she becomes this private bird in the world, struggling with her own madness, at the last moment of confinement.January 4 - 30:30 am, 3:30 pm, 3:30 pm - release Mondays and January 9 - Salle Jean Tardieu

Girls and Boystexte Dennis Kellymise on stage Chloé Dabert with Bénédicte Cerutti "When you did that ..." Fields in the corridors of an airport.It all starts with laughter, party, the happiness of the meeting.The couple will have two children.But professional ambitions, betrayals, doubts take precedence.This is the end of love, a spiral descent towards the domestic war, the suffocation, the irremediable.A woman, alone on stage, calls her children.They don't answer.She remembers the point of no return: the horror exactly.Director of the Comedy - CDN of Reims since 2019, Chloé Dabert has seized the Théâtre du Surdoué British for the third time Dennis Kelly, author of an urban and sharp language.She draws up, after Iphigénie de Racine at the Avignon Festival, the portrait of a woman plunged into the unthinkable.The actress Bénédicte Cerutti takes hold of the worst nightmare of a mother in touch with the demons of a man.January 4 - 30:30 am, 3:30 pm, 3:30 pm - release Mondays and January 9 - Roland Topor room

Clara Haskilprude and Fuguetext Serge Kribusmise Safy Nebbou with Laetitia Castapiano Isil Bengi "This maturity of a child's brain is truly scary!"Among my friends," said Charlie Chaplin, I was able to rub shoulders with three geniuses: Professor Einstein, Winston Churchill, and Clara Haskil.»1960, a day in concert, Clara Haskil has just fallen on a mechanical staircase at Brussels station.The pianist, at the top of her glory, then sees the house of her childhood in the fire, in Bucharest, then her whole life.In a chiseled text, meticulous partition, the author Serge Kribus makes heard the voices of the child, the accomplished artist and his entourage.Director and director, Safy Nebbou discovers the interpretations and life of Clara Haskil.He immediately identifies the extreme grace and sensitivity of the pianist to actress Laetitia Casta, who told her about her desire to return to the theater, to risk it alone there.January 5-23 p.m. Sunday, 3 p.m.-release Mondays-Renaud-Barrault room

They did not plan that we were going to win the scene and scenography Jean-Louis Martinelli a play by Christine Cittic Collaboration Thierry Thieû Niangvec Christine Citti, Yoann Denaive, Loïc Djani, Évelyne El Garby-Klaïzakariy Gouram, Yasin Houicha, Elisa Kane, LeïlaRent Kassamargot Madani, François-Xavier Phan, Mounia Raoui, Amina Zouiten (in progress) “Their battlefields invaded my life!"Emmanuelle arrives in an emergency reception center for minors.She is an actress, she wants to introduce them to the theater.Four boys and four girls oppose boredom and violence of adolescence left behind.Prostitution, drugs, mistreatment, incest.They have crossed mines of ruined lives.They tell each other, oppose educators, at the end of the nerves and forces.Can they still "win"?Jean-Louis Martinelli directs thirteen actors including the author of the play, Christine Citti, in her own role.Portrait without concession or angelism, iced by humor, of a furious and bubbling youth.January 26-February 5, 8:30 p.m. Dimanche January 30 and Saturday February 5, 3 p.m.-release on January 31-Renaud-Barrault room

What do the peoples ask? Our discs are scratched #5 a festival designed by Jean-Daniel Magnin and Jean-Michel Ribesprogramming to come a few months from a post-Cavid presidential election at high risk, will open the fifth edition of our records are striped.Jean-Daniel Magnin invites non-compliant minds-activists, thinkers, essayists and artists-to question what makes people today.What do peoples ask when inequalities explode and humanity sinks into climatic disruption?In what form will they wake up?Populists, nationalists, anarchists, violent or fraternal?After Qanon and taking the Capitole assault, are we going to sink into the haunt of the plot, the civil war, the alternative realities?What is a people?Are we the people? Opening evening: Monday January 31performances-debates: 1st-12 fertile renaud-barrault and room Roland

Kiss me on your grave Jean-Daniel MagnininSpiée du Scripture by Maryam Khakipourmise on stage Jean-Daniel Magnin and Maryam Khakipourac with Christine Murillo, René Turquois, Hélène Viaux, Benjamin Wangermée "You are so beautiful.You don't feel the earth or the ashes.The son, a security officer at the airport, is dismissed for no reason and chased by his wife.He flirts with dark ideas when he meets a guy his age, humiliated like him by injustice.The new friend, an illuminated prophet, leads him on the ways of radicalization and the taste of terrorism.Black comedy with burlesque escapes, the play branches off with the mental cleavage of a loving mother.She is her, Christine Murillo, by her funny madness, who will thwart the evil plans of the small bombs of bombs.Literary Director of the Rond-Point, Jean-Daniel Magnin is inspired by a scenario of Maryam Khakipour.He composes with her a farce soaked with acid where individuals duplicate so as not to sink into despair and barbaric acts.2 - February 8, 8:30 p.m. Dimanche, 3.30 p.m. - Release Mondays - Salle Jean Tardieu

Even crazy musical comedy of rigalmusic stone live micro-duality with Pierre Cartonnet, Mélanie Chartreux, Antonin Chaumetgwenaël Drapeau, Julien Lepreux, Pierre Rigal, Denis Robertjuliette Roudet, Crystal Shepherd-Cross "The same can be transformed into its opposite."Nine performers are agitated and dance.They repeat the same piece in loop, same sounds and same movements, music "transrock".A grain of sand in the machinery when one of them arrives late at the show.Everything gets carried away.Enjoyable celebration of an impossible reproduction of the same gesture that changes in its opposite.The Gags at the Buster Keaton lead to a tonic choreography, an experimental musical of crazy energy.Theater, music and dance intertwine, summon the rock of the microrality group, distinguish the myth of Oedipus and its fatalities.Nothing is ever predictable, nothing is the same for nothing, like a definition of the live performance.After microphone, press, stoppage, erection and theater of operations, Pierre Rigal, high -level athlete, foments an object of joyful freedom, an explosion of surprises and finds.8-February 19, 6.30 p.m.re on February 13 and 14-Renaud-Barrault hall

The day is a dreamchorégraphy Jean-Claude Gallottamusic Rodolphe Burgera with Axelle André, Naïs Arlaud, Ximena Figueroa, Ibrahim Guétissigeorgia Ives, Fuxi Li, Bernardita Moya Alcalde, Jérémy Silvettigaetano Vaccaro, Thierry Verger, Jean-Claude Gallotta ", Fantasy and invention!In three paintings, the dancers magnify the solar disorders of nature, the phosphorescences of the big cities, then deliver a crazy vision of the future in a frantic musical.Thanks to an energetic gesture, fighting of angels and feverish humanities ... In moving and playful escapes, ten performers pay tribute to Merce Cunningham, genius of an abstract poetry of the movement, which would have a hundred years today.Between each sequence, Jean-Claude Gallotta himself dances on the songs of Rodolphe Burger.Artist associated with the roundabout, the choreographer and dancer presented his trilogy around rock mythologies, the man with a cabbage head, My Rock and My Ladies Rock.With eighty creations to his credit, he works to open dance to all disciplines, cinema and poetry, music and plastic arts.February 10-20, 9 p.m. Dimanche, 3 p.m.-release on February 14 and 15-Renaud-Barrault room

Biography: a juide max frischise on stage Frédéric Aries-Garcia with Golshifteh Farahani, José Garciaana Blagojevic, Ferdinand Régent-Chappey (Distribution in progress) "Please ... without revolver ..." And if he could, at fifty years, replayHis life, the big scenes of his life, modify a gesture, a word, thwart the course, and above all avoid a meeting, that of Antoinette, Miracle and Nightmare of his existence.This is the rule of this game: rewrite your biography.Resume and correct, come back in time, suspend it, make other choices, take other paths.Playful dream or black thriller, joyful machination, biography: a game mine the field of possibilities, and transforms life into uncertain puzzle of choice, desires, impulses or cowardice reasonable.Frédéric Aries-Garcia signs with this part of fierce chess and funny his first staging in 1999.Prodigious success.Today, he seizes the dizzying comedy again, a labyrinth of mise en abyme, to blow the lively air of the present.March 8-April 3, 9 p.m. Sunday, 3 p.m.-releases Mondays and March 10-Renaud-Barrault room

I had my little flower dress and artistic collaboration Valérie Lévymise on stage Nadia Jandeau with Alice de Lencquesaing "I have to play the game, I must say everything.»Blanche is twenty-six years old, she lives alone in Caen.A production company, for a television channel, sends him a camera.We ask him to testify.She is preparing, will tell her story, alone, at home, facing the camera.She has three days to unpack her privacy: a rape suffered three years earlier.If she is convincing and relevant, she will be selected and will be able to participate in the direct.She believes that her testimony will help her get out of it, make her forget her drama.Theater producer, author, Valérie Lévy composes a poignant thriller, portrait of a woman raped first, then abused by the exploitation of her own word via the obscenity of networks, TV and media.8 - March 27, 8:30 p.m. Dimanche, 3.30 p.m. - releases Mondays and March 13salle Roland Topor

Variety a creation of Sarah Le PicardinSpiée by the Discorama television show (1959-1974) with Anne-Lise Heimburgerflorent Hubert, Sarah le Picard "I like the word meeting."A studio, the ORTF of the sixties, a piano, two chairs.The elegant interviewer, chic and silver heels, cream and fitted pants, continues an interview with Véronika over fifteen years, first icon of the Yéyés, French folk performer, soon to be forgotten star.A pianist accompanies them and enchants each meeting.Three delicate clowns go on the adventure of France of Barbara and Marie Laforêt, the Algerian war, women's rights and May 68.Variety is inspired by the mythical meetings of Denise Glaser, host of the Discorama program, ejected in 1975 by Giscard d'Estaing.It is a happy reverie in the currents and the history of the country, via a great art in minor mode and its stars: the variety, popular or committed, and the joyful traces it leaves in the memories, bursts of indelible jewelry.March 9 - March 27, 8:30 p.m. Dimanche, 3.30 p.m. - Release Mondays - Salle Jean Tardieu

Old Conde and with Christophe Alévêquemise on stage Philippe Sohier “We can be old con and modern at the same time!He's fed up and he says it.He attacks the well-thought of the bisounours in place, with alcohol-free beers, tobacco-free days and other lean cold meats.He founded the club of "modern old idiots", in response to the soft dictatorship of lukewarm thought, to the inquisitors of the new moral order, and tells the world to his four -year -old son.He makes it a book and a show.Committed, cleared humorist, on the fringes, derisory or missionary clown, Christophe Alévêque defends a freedom of total and without hindrance, a unbridled imagination, without self -censorship or censorship at all."The Empire of Good" can tremble, Alévêque returns to his armor of old idiot, also attacks the kièrerie of the "succession" without sparing the hypocrisy of the elders, and burns the plateau with his insolent and lucid ferocity.March 10-April 3, 6.30 pm Limis-Renaud-Barrault hall

Portrait Avedon-Baldwin: Imaginarytextextexexexexe Kevin Keiss and Élise vigiermis on stage Élise Vigiera de Marcial di Fonzo Bo and Jean-Christophe Folly "It is the face of others who tears me away what mine is mine.One is a writer, black and homosexual.The other is white, Jewish and photographer.Idols of the sixties, James Baldwin and Richard Aved carry an acerbic and loving look on American imperialism.They disrush the flag of the world's first democracy, the country of slavery and the extermination of Indian peoples.Élise Vigier, artist associated with the direction of Caen's comedy, stages their dancing dialogue and invites her interpreters, Marcial Di Fonzo Bo and Jean-Christophe Folly, to weave links between the United States and France, via'Argentina and Togo.It is self -construction that they celebrate and question, within a society where the notions of intolerance and exclusion burn topical.March 29 - April 3, 8:30 p.m. / 6 - April 5, 9 p.m. Sunday, 3.30 p.m. - Release Mondays - Salle Jean Tardieu

I too have lived, interpretation and music Hélios Azoulaymis in stage Anne Berest "My father felt the rain on the pebbles ..." He carries the wedding costume of his "pépé", and the art of a narration punctuated by hisapogee.Hélios Azoulay finds his father, who died thirty-five years earlier, in the compartment of a train, direction Bombay.He draws the poetic thread from a exploded childhood, re -enchanting the past, illuminates the ignominies of the world and its history.Obstacles on which he stumbled, he makes imaginary jewels.He juggles words, in fact a joyful music, summons his ghosts, reconciles with his dead, their loves and their atrocities.After the visit, Anne Berest accompanies Hélios Azoulay, novelist, black clown, director of the incidental music set, composer and clarinetist brightly unpredictable.In his dreamed autobiography, happy child in a tormented childhood, he finally shouts, thirty-five years after the death of his father: "I too lived.»March 30 - April 17, 8:30 p.m. Dimanche, 3.30 p.m. - Release Mondays - Roland Topor room

Bartleby my brother of Daniel Pennaca theatrical adaptation Clara Bauer, Daniel Pennac, Margot SimonNeymis Clara Baueravec Marie-Élisabeth Cornet, Habib Dembélé, Pako Ioffredoalice Loup, Laurent Natrella, Daniel Pennac "Live, that's not the least ..."Learn mourning, soften him, and continue a dialogue with his missing brother, the writer Daniel Pennac chooses to embody on stage the character of the new Bartleby de Melville, 1856.He presses an occult and tender fraternity between his brother, him and the New York scribe who refutes the injunctions of his superior.Bartleby always answers: "I would not prefer.The novelist explains and tells this adventure in my brother, a sensitive portrait of an accomplice elder, memories and exchanges with another admired and master in literature.Staging, Clara Bauer is passionate about Pennac's work that she directed in a body newspaper, then an exemplary love.Author of the Saga of the Malaussène or School Shagrin, the actor Pennac delivers on stage with Bartleby my brother one of his most intense texts, poem of love and fraternity.5 - April 17, 6.30 p.m. / 19 - April 30, 8:30 p.m. Summer April 30, 3:30 p.m. - releases Mondays and April 10 - Salle Jean Tardieu

Snow therapy Ruben Östlunda Adaptation Jeanne Le Guillou and Bruno Degamise on stage Salomé Leloucha with Alex Lutz, Julie Depardieu, Ludivine de Chastenetdavid Talbot, Claire Olier, Corentin Calmé "Now we can say that we have the same version of the story?»Eva and Thomas spend their holidays in a ski resort.At the top of the tracks, an avalanche is triggered.Terrifying moment.But the disaster stops a few meters away.No visible damage.However, the event cracks the couple when we interpret everyone's reactions to danger.The family universe is shaken and friends are tearing themselves apart.The cowardice, fear and shame are taking control of the best intentions.Scandinavian Ruben Östlund realizes The Square, Palme d'Or 2017.His fourth film, Snow Therapy, won the jury prize in Cannes in 2012 and represents Sweden at the Oscars.Writer, producer and theater director, Salomé Lelouch orchestrates a closed closed closed, intimate and Alpine epic, where the flaws of individuals reveal themselves and push them at the forefront.April 19-24, 8:30 p.m. Samedi 23 and Sunday April 24, 3 p.m. and 8:30 p.m. Renaud-Barrault

Queen Bloodchorégraphie Ousmane Syiavec alternately alleuné Blegbo, Megan Deprezvalentina Dragotta, Dominique Elenga, Nadia Gabrieli Kalatilinda Hayford, Nadiah Idris, Anaïs Imbert-Cérte Lacides, Cynthia Lacorordelle, Mwendwa Marchandaudrey Minko, Stéphanie Par Studa "Assumed!First in the shadows, seven dancers play male codes of hip-hop, then emancipate themselves, appear in the light, free and proud.Lioness energy, they shine on pieces of house music, virtuoso performers of a dance born in New York clubs.African rhythm and clubbing spirit, this dance flirts with the aerial grace of an exceptional technicality and the freedom of a drive street dance.Of Malian and Senegalese origin, Ousmane "Babson" Sy, world champion and flagship figure of the hip-hop movement in France and abroad, died in December 2020, he was forty-five years.In this work, seven women pulses their crazy energy in a tribute to all feminures.A storm of freedom.May 3-7:30 p.m. Renaud-Barrault

The man who was sleeping under my littext, music and staging Pierre Notte with Muriel Gaudin, Silvie Laguna, Clyde Yeguete "We do not push people out of the window, we incite them - nuance."Top floor of a narrow studio, the refugee is looking for her place, finds her under a box spring, cultivates her vegetable patch there.The owner tells her where the razor blades are stored, prepares the dead.Because in this country, lucid dystopia, when we host a migrant, we touch an allowance, and if he commits suicide, an additional bonus.A mediator, Madame Europe herself, tries to appease everything.Without decor or accessories, three actors embody the monstrous entities of macabre fantasy.Author associated with the roundabout since 2009, Pierre Notte draws up a world where a good migrant is a migrant who eliminates himself, without engaging the responsibility of France or Germany.But we sympathize, we are not dogs.Here, everything ends well.You have to dance, after laughing as best they can of the disaster.May 10 - June 4, 6.30 pm Follow Mondays and May 15, 17 and 26 - Salle Jean Tardieu

Skylightde David Hared on stage Claudia Staviskyvec Marie Vialle, Patrick Catalifosacha Ribeiro "There is no peace in you.I KNOW IT."He, a father and businessman, fifty in Rolex, a beautiful social ascent, has a son who no longer supports him.She, a young idealistic professor, lives in the northern suburbs of London, teaches kids in the districts left behind.These two adults loved each other, then separated.They find themselves.Everything opposes them, and they compete, for a night.Fight of wild beasts, they argue, enter their certainties and their convictions.The success of one, the commitment of the other.But who grew up, who spoiled?The struggle, lively and fiery, explodes under the gaze of a child who no longer knows where to put himself.Claudia Stavisky, director of the Célestins de Lyon theater, orchestra the sharp language of the British David Hare, ferocious portrait painter of a high tension company.May 11-15, 8:30 p.m. / 18-May 29, 9 p.m., 3 p.m.-releases Mondays and 26 Maisalle Renaud-Barrault

I am a girl without story on stage of and with Alice Zeniter "A fundamental difference between fiction and lying?»Only on stage, the performer and speaker dismantles the stories and their construction.Fictions, love stories, autobiographies, scientific discoveries ... What do you put in light when you put your life, your imagination or the world in storytelling?When and where were they born, the stories?Alice Zeniter dates back to the origin of epics, founding myths, to question our relationships with fictions, fairy tales versus fake news and storytelling.Prix du Livre Inter for Dark Sunday, Renaudot Prix des High school students in 2015 for just before oblivion, or world prices and Goncourt prices for high school students for the art of losing in 2017, Alice Zeniter stages herself under theAvailable look at Acrobat Matthieu Gary.With malice and rigor, she embarks on a free rebate of semiology and narratology.11 - May 29, 8:30 p.m. Dimanche, 3.30 p.m. - releases Mondays and 26 Maisalle Roland Topor

All sailors are singers a sung conference of and with Gérard Mordillat*François Morel, Antoine Sahler, Amos Mahchansons Yves-Marie Le Guilvinec*alternating with Romain Lemire "We all come back to hope.François Morel sets the songs of a browser who disappeared at sea in 1900.Return to basics: the theater becomes a trawler again and its sea singers.Unknown poet native of Trigavou, near Saint-Malo, Yves-Marie Le Guilvinec disappears at thirty years.He leaves posterity traced in Calva, letters soaked in Tafia, and an existence of an oceanic forgotten.Gérard Mordillat and François Morel endeavor to complete the whole, they put the fishing nets, recompose with Antoine Sahler the missing music.Together, they take off and head on this ghost portrait, rehabilitate a joyful and popular poetry against a hymn to the drunkenness of salty air, freedom and excesses.May 17-29, 6.30 p.m. / May 31-July 3, 9 p.m., 3 p.m.-Sundays May 22 and 29, 6.30 p.m.-releases Mondays and 26 Maisalle Renaud-Barrault

All my lovely Laurent Mauvigniermis on stage Arnaud Meuniercollaboration Artistic Elsa Imberta with Anne Broochet, Romain Fauroux, Ambre Febvrejean-François Lapalus, Philippe Torreton "I remember the brands that my teeth have made his skin.The father and the mother find themselves struggling with their lies, their silences.Ten years earlier, their little girl disappeared.At the time of a new mourning, in the grandfather's house, everyone meets and clashes when a mysterious teenage girl of sixteen claims to be the missing girl.Aurond-Point, he staged the problem;Chapters of the fall, Saga of the Lehmanbrothers;I believe in one God and I took my father on my shoulders.Arnaud Meunier, new director of the MC2: Maison de la Culture de Grenoble and artist faithful to the roundabout, orchestra here a metaphysical thriller crossed by a bewitching emotion.WEPLER Prize, Inter Book Prize, Fnac Prize, Émile Augier Prize from the French Academy, Laurent Mauvignier brings dialogue in all my ghost and living love.He pursues an exploration of the intimacies cracked by secrets and unsaid.May 17 - June 5, 9 p.m. Dimanche, 3.30 p.m. - releases Mondays and May 22 and 26 - Salle Jean Tardieu

20 years of freedom! The pirate boat of the roundabout celebrates its twenty years! After 20 years of crossings far from the lukewarm oceans of well-thought, the theater of the roundabout, drunk with creations, joyful audacity, laughterOf resistance and accomplice friendships, will celebrate in its three rooms, its restaurant and its gardens, its artists, its audience and its team.Employed evening outfit: "The joy of being yourself!Before that, Jean-Michel Ribes features Jean-Claude Grumberg in Lacomédie-Française, creates Palace or thank you Bernard, makes several films, when his pieces are played and translated worldwide.But in 2002, it was the theater of the roundabout that he besiege with a revolutionary project: to create forty shows per year of living creators.And it's been twenty years since it lasts ... 20 years of freedom !, A book retracing the adventure of the roundabout in the Dejean-Michel Ribes era outside the final morals, will appear that day! Monday 13 Jewans all theater

Disobbed and staging Julie Bertèsdramaturgie Kevin Keisstexte Julie Berès, Kevin Keiss, Alice Zenitera with Ava Baya, Lou-Adriana Bouziouane, Charmine Fariborzi, Séphora Pondien Alternance with Sonia Bel Hadj Brahim, Déborah Dozoul, Bénicia Makengele "Consume him!"Vibrant celebration of a female emancipation, four young women pinch the patriarchy of all mixed cultures, religious injunctions, misogyny and other urban violence.Their families are from Morocco, Iran, Cameroon, Turkey.But here and now they choose disobedience.Awareness and common revolts, they dance today, free, joyful and warlike.In 2017, the director Julie Berès and her co-authors Kevin Keiss and Alice Zeniter collect the testimonies of eighty women, ensure the editing and deliver him in pasture to the four actresses who get involved.A cult show with free bodies, the burning words of insolence, disobeying puts the stereotypes in ashes, celebrates a new, young, feminine and multicultural France, without taboo.June 15 - July 2, 8:30 p.m. Dimanche, 3.30 p.m. - Release Mondays - Jean Tardieu room